Soleil. Soleil Bold Soleil Bold Italic Soleil Extrabold Soleil Extrabold Italic Soleil Magic Caps yinyang Soleil Magic Caps yang Soleil Magic Caps yin

Transkript

1 Soleil An innovative and fresh geometric sans serif by Wolfgang Homola about the typeface Soleil offers a fresh and contemporary approach to one of the most difficult type design genres: the geometric sans-serif. Since Paul Renner s Futura very few font families can claim to have achieved the complex balance between geometric appearance and excellent performance in continuous text settings. Soleil does not only excel in these two points, but also brings an overdue amount of originality and freshness to this category by cleverly introducing asymmetries in its countershapes. The typeface is based on the modernist ideas of simplicity, clarity and reduction to essential forms, such as circles and squares. Despite this, its lettershapes are not the result of geometric construction, but rather of a design process carefully incorporating optical corrections and rhythm. Soleil s relatively large x-height and well crafted lettershapes deliver outstanding results of legibility and character recognition in small text sizes or from greater distances. The typeface family consists of seven weights (with corresponding Italics) offering a good deal of flexibility in a wide range of applications from signage and way-finding systems, to book and magazine design, to branding and corporate publications. Also released by TypeTogether, Soleil Magic Caps is a display companion to the original styles that was designed based on the idea of impossible geometry. It comprises of a main style and two additional styles forming two layers that can be handled separately to make the mind-bending deconstruction process more visible and attractive. While the concept of Escheresque shapes is frequently revisited in pursue of decorative font families, Soleil s overall more rigorous and reader-centered design stands out from the crowd. The Soleil family is available at our webfont service partners TYPEKIT FONTDECK or contact us for i styles & scripts Soleil Light Soleil Light Italic Soleil Regular Soleil Italic Soleil Book Soleil Book Italic Soleil Semibold Soleil Semibold Italic Soleil Bold Soleil Bold Italic Soleil Extrabold Soleil Extrabold Italic Soleil Magic Caps yinyang Soleil Magic Caps yang Soleil Magic Caps yin

2 soleil, character set sample ABCDEFGHIJKLM NOPQRSTUVWX YZǺÆŒÞǾĦŞ75 abcdefghijklmnop prstuvwxyzßǽąĸł abcdefghijklmno pqrstvwxyzœş3 -)]} $ a ₉ 23/78j

3 soleil, poster specimen I ve been working in the Kremlin with a two-headed dog Falcon con Francisco Canaro y su orquesta»cabaret Voltaire«2 société anonyme pour l exploitation du vocabulaire dadaïste Les Statues meurent aussi éclipse solaire was mit dieser zeitschrift eigentlich bezweckt wird, ist nicht ganz klar Prometeo La lontananza nostálgica utópica futura

4 soleil, text settings latin 18/22 pt (light & light italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us with 18/22 pt (book & book italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us with 18/22 pt (regular & italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us with suggestions and proposals. [Hugo Ball, La fuite hors du temps Source: Nadia Ghanem, Cabaret Voltaire

5 soleil, text settings latin 18/22 pt (semibold & semibold italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are 18/22 pt (bold & bold italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are 18/22 pt (extrabold & extrabold italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us with suggestions and pro- Source: Nadia Ghanem, Cabaret Voltaire

6 soleil, text settings latin 8/10 pt (regular & italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us with suggestions and proposals. [Hugo Ball, La fuite hors du temps ([1946], 1993) 111]. When Hugo Ball, a German poet and playwright, exiled in Switzerland since 1915, wrote these words he couldn t have imagined they would spearhead an adventure that would cross national borders. 10/12 pt (regular& italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us with suggestions and proposals. 12/14 pt (regular& italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, 8/10 pt (book & book italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us with suggestions and proposals. [Hugo Ball, La fuite hors du temps ([1946], 1993) 111]. When Hugo Ball, a German poet and playwright, exiled in Switzerland since 1915, wrote these words he couldn t have imagined they would spearhead an adventure that would cross national borders. 10/12 pt (book & book italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us with suggestions and 12/14 pt (book & book italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their 8/10 pt (bold & bold italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us with suggestions and proposals. [Hugo Ball, La fuite hors du temps ([1946], 1993) 111]. When Hugo Ball, a German poet and playwright, exiled in Switzerland since 1915, wrote these words he couldn t have imagined they would spearhead an adventure that 10/12 pt (bold & bold italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily reunions, will give musical or literary performances. Young Zurich artists, of all tendencies, are invited to join us 12/14 pt (bold & bold italic) A somewhat unexpected announcement appeared in the Zurich press on 2 February 1916: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, Source: Nadia Ghanem, Cabaret Voltaire

7 soleil, text settings latin - czech 8/10 pt (regular & italic) a možná i nejodvážnější v českém profesionálním divadle se dnes odehrává především na jevištích divadel pro děti a mládež. Začaly to kdysi Buchty a loutky svými pohádkami pro zlobivé děti. Koncepcí divadla pro celou rodinu se o něco podobného pokoušeli Hana Burešová s Janem Bornou v Divadle v Dlouhé. Razantně do trendu odvážného, experimentálního tedy v zásadě alternativního divadla pro děti vstoupil ale až Jiří Adámek v pražském Divadle Minor svou inscenací Z knihy džunglí. Byla (a stále je) magickým hmatovým divadlem interpretovaným v netradičním prostoru, s přímým, živým kontaktem s herci a využíváním až burianovských voicebandů. Minor dnes 10/12 pt (regular & italic) a možná i nejodvážnější v českém profesionálním divadle se dnes odehrává především na jevištích divadel pro děti a mládež. Začaly to kdysi Buchty a loutky svými pohádkami pro zlobivé děti. Koncepcí divadla pro celou rodinu se o něco podobného pokoušeli Hana Burešová s Janem Bornou v Divadle v Dlouhé. Razantně do trendu odvážného, experimentálního tedy v zásadě alternativního divadla pro děti vstoupil ale až Jiří 12/14 pt (regular & italic) a možná i nejodvážnější v českém profesionálním divadle se dnes odehrává především na jevištích divadel pro děti a mládež. Začaly to kdysi Buchty a loutky svými pohádkami pro zlobivé děti. Koncepcí divadla pro celou rodinu se o něco podobného pokoušeli Hana Burešová s Janem 8/10 pt (book & book italic) a možná i nejodvážnější v českém profesionálním divadle se dnes odehrává především na jevištích divadel pro děti a mládež. Začaly to kdysi Buchty a loutky svými pohádkami pro zlobivé děti. Koncepcí divadla pro celou rodinu se o něco podobného pokoušeli Hana Burešová s Janem Bornou v Divadle v Dlouhé. Razantně do trendu odvážného, experimentálního tedy v zásadě alternativního divadla pro děti vstoupil ale až Jiří Adámek v pražském Divadle Minor svou inscenací Z knihy džunglí. Byla (a stále je) magickým hmatovým divadlem interpretovaným v netradičním prostoru, s přímým, živým kontaktem s herci a využíváním až burianovských voicebandů. Minor dnes 10/12 pt (book & book italic) a možná i nejodvážnější v českém profesionálním divadle se dnes odehrává především na jevištích divadel pro děti a mládež. Začaly to kdysi Buchty a loutky svými pohádkami pro zlobivé děti. Koncepcí divadla pro celou rodinu se o něco podobného pokoušeli Hana Burešová s Janem Bornou v Divadle v Dlouhé. Razantně do trendu odvážného, experimentálního tedy v zásadě alternativního divadla pro děti vstoupil ale až Jiří 12/14 pt (book & book italic) a možná i nejodvážnější v českém profesionálním divadle se dnes odehrává především na jevištích divadel pro děti a mládež. Začaly to kdysi Buchty a loutky svými pohádkami pro zlobivé děti. Koncepcí divadla pro celou rodinu se o něco podobného pokoušeli Hana Burešová s Janem 8/10 pt (bold & bold italic) a možná i nejodvážnější v českém profesionálním divadle se dnes odehrává především na jevištích divadel pro děti a mládež. Začaly to kdysi Buchty a loutky svými pohádkami pro zlobivé děti. Koncepcí divadla pro celou rodinu se o něco podobného pokoušeli Hana Burešová s Janem Bornou v Divadle v Dlouhé. Razantně do trendu odvážného, experimentálního tedy v zásadě alternativního divadla pro děti vstoupil ale až Jiří Adámek v pražském Divadle Minor svou inscenací Z knihy džunglí. Byla (a stále je) magickým hmatovým divadlem interpretovaným v netradičním prostoru, s přímým, živým kontaktem s herci a využíváním až burianovských voice- 10/12 pt (bold & bold italic) a možná i nejodvážnější v českém profesionálním divadle se dnes odehrává především na jevištích divadel pro děti a mládež. Začaly to kdysi Buchty a loutky svými pohádkami pro zlobivé děti. Koncepcí divadla pro celou rodinu se o něco podobného pokoušeli Hana Burešová s Janem Bornou v Divadle v Dlouhé. Razantně do trendu odvážného, experimentálního tedy v zásadě alternativního divadla pro děti 12/14 pt (bold & bold italic) a možná i nejodvážnější v českém profesionálním divadle se dnes odehrává především na jevištích divadel pro děti a mládež. Začaly to kdysi Buchty a loutky svými pohádkami pro zlobivé děti. Koncepcí divadla pro celou rodinu se o něco podobného pokoušeli Hana Source:

8 soleil magic caps araçá i2015 são pauloj la soirée 1960! the flamingo club *gin&tonic*

9 soleil, opentype features small caps 1234 charming 1234 charming (abc} n*/ d&e (abc} n*/ d&e all small caps RADIOLARIANS? RADIOlarians? all caps para texto? PARA TEXTO? 1708 a b [ende] 1708 A B [ENDE] ligatures aufbau, fjord, affiliate aufbau, fjord, affiliate discretionary ligatures -> <- ^ v <--> v ^ -> <- ^ v <--> v ^ proportional figures $ ƒ $ ƒ tabular figures & slashed zero $ ƒ $ ƒ numerator / denominator arbitrary fractions superior / inferior / / /2 3/45 1/6 5/7 23/912 1/2 3/45 1/6 5/7 23/912 H2O xb8 y3+5 H2O xb8 y3+5 ordinals 1st 2th 3rd Mlle 2ieme 1st 2th 3rd Mlle 2ieme stylistic set 1 stylistic set 2 abcdefghijklmn opqrstuvwx ABCDEFGHIJKL MNOPQRS M m ^v <-->efghijklmn opqrstuvwx ABCDEFGHIJKL MNOPQRS M m stylistic set turkish/azeri/crimean tatar findik findik findik findik romanian/moldavian mulţumesc, mulţumesc mulțumesc, mulțumesc

10 soleil, character set, uprights ' " # & *, -. : A B C D E F G H I J K L M M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z [ ] ( ) { } \ / ª º $ ƒ $ ƒ % $ ƒ % $ ƒ % $ ƒ % À Á Â Ã Ä Å Ǻ Æ Ǽ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö Ø Ǿ Ù Ú Û Ü Ý Þ ß ß à á â ã ä å ǻ æ ǽ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ø ǿ ù ú û ü ý þ ÿ Ā ā Ă ă Ą ą Ć ć Ĉ ĉ Ċ ċ Č č Ď ď Đ đ Ē ē Ĕ ĕ Ė ė Ę ę Ě ě Ĝ ĝ Ğ ğ Ġ ġ Ģ ģ Ĥ ĥ Ħ ħ Ĩ ĩ Ī ī Ĭ ĭ Į į İ i ı Ĳ ĳ Ĵ ĵ Ķ ķ ĸ Ĺ ĺ Ļ ļ Ľ ľ Ŀ ŀ Ł ł Ń ń Ņ ņ Ň ň ŉ Ŋ ŋ Ō ō Ŏ ŏ Ő ő Œ œ Ŕ ŕ Ŗ ŗ Ř ř Ś ś Ŝ ŝ Ş ş Š š Ș ș Ţ ţ Ť ť Ŧ ŧ Ț ț Ũ ũ Ū ū Ŭ ŭ Ů ů Ű ű Ų ų Ŵ ŵ Ẁ ẁ Ẃ ẃ Ẅ ẅ Ỳ ỳ Ŷ ŷ Ÿ Ź ź Ż ż Ž ž ſ j ff fi fl fk fb fh ft fj ffj ffi ffl ffk ffb ffh fft fí st sp ct ch ck tt Th ˆ ˇ ˉ ` % / ⁰ ¹ ² 3 ⁴ 5 ⁶ ⁷ ⁸ ⁹ ( ) -,. + = a b c d e f g h i j k l m n o p q r s t u v w x y z ₀ ₁ 2 ₃ ₄ ₅ ₆ ₇ 8 ₉ ( ) -,. + = a b c d e f g h i j k l m n o p q r s t u v w x y z ( ) -,. + = a b c d e f g h i j k l m n o p q r s t u v w x y z ½ ⅓ ⅔ ¼ ¾ ⅛ ⅜ ⅝ ⅞ Ω Δ Ω μ π µ ^ _ ~ < = > + ± ˆ ` ˇ ʼ ˇ G E H F I A B J C D -> <- ^ v f e g h i j k l m n o p q r s t u w v x K 2 M N O P Q R S a b c d e f g h i j k l m m n O p q r s t u v w x y z þ à á â ã ä å ǻ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ø ǿ ù ú û ü ý ÿ ā ă ą ć ĉ ċ č ď đ ē ĕ ė ę ě ĝ ğ ġ ģ ĥ ħ ĩ ī ĭ į i ı ĵ ķ ĸ ĺ ļ ľ ŀ ń ņ ň ŉ ŋ ō ŏ ő ŕ ŗ ř ś ŝ ş ť ŧ ũ ū ŭ ů ű ų ŵ ŷ ź ż ș Ț ẁ ẃ ẅ ỳ ţ ł š ž œ æ ǽ ß?! º & ( ) [ ] { } * - / \ $ ƒ % ` ˆ ˇ

11 soleil, character set, italics ' " # & *, -. : A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z [ ] ( ) { } \ / ª º $ ƒ $ ƒ % $ ƒ % $ ƒ % $ ƒ % À Á Â Ã Ä Å Ǻ Æ Ǽ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö Ø Ǿ Ù Ú Û Ü Ý Þ ß ß à á â ã ä å ǻ æ ǽ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ø ǿ ù ú û ü ý þ ÿ Ā ā Ă ă Ą ą Ć ć Ĉ ĉ Ċ ċ Č č Ď ď Đ đ Ē ē Ĕ ĕ Ė ė Ę ę Ě ě Ĝ ĝ Ğ ğ Ġ ġ Ģ ģ Ĥ ĥ Ħ ħ Ĩ ĩ Ī ī Ĭ ĭ Į į İ ı Ĳ ĳ Ĵ ĵ Ķ ķ ĸ Ĺ ĺ Ļ ļ Ľ ľ Ŀ ŀ Ł ł Ń ń Ņ ņ Ň ň ŉ Ŋ ŋ Ō ō Ŏ ŏ Ő ő Œ œ Ŕ ŕ Ŗ ŗ Ř ř Ś ś Ŝ ŝ Ş ş Š š Ș ș Ţ ţ Ť ť Ŧ ŧ Ț ț Ũ ũ Ū ū Ŭ ŭ Ů ů Ű ű Ų ų Ŵ ŵ Ẁ ẁ Ẃ ẃ Ẅ ẅ Ỳ ỳ Ŷ ŷ Ÿ Ź ź Ż ż Ž ž ſ j ff fi fl fk fb fh ft fj ffj ffi ffl ffk ffb ffh fft fí st sp ct ch ck tt Th ˆ ˇ ˉ ` % ⁰ ¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ ⁹ ( ) -,. + = a b c d e f g h i j k l m n o p q r s t u v w x y z ₀ ₁ ₂ ₃ ₄ ₅ ₆ ₇ ₈ ₉ ( ) -,. + = a b c d e f g h i j k l m n o p q r s t u v w x y z ( ) -,. + = a b c d e f g h i j k l m n o p q r s t u v w x y z ½ ⅓ ⅔ ¼ ¾ ⅛ ⅜ ⅝ ⅞ Ω Δ Ω μ π µ ^ _ ~ < = > + ± ˆ ` ˇ ʼ ˇ a b c d e f g h i j k l m n o p q r s t u v w x y z þ à á â ã ä å ǻ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ø ǿ ù ú û ü ý ÿ ā ă ą ć ĉ ċ č ď đ ē ĕ ė ę ě ĝ ğ ġ ģ ĥ ħ ĩ ī ĭ į ı ĵ ķ ĸ ĺ ļ ľ ŀ ń ņ ň ŉ ŋ ō ŏ ő ŕ ŗ ř ś ŝ ş ť ŧ ũ ū ŭ ů ű ų ŵ ŷ ź ż ș ț ẁ ẃ ẅ ỳ ţ ł š ž œ æ ǽ ß?! º & ( ) [ ] { } * - / \ $ ƒ % ` ˆ ˇ M

12 soleil, character set, yinyang ' " & *, -. : ;?! A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Æ Ĳ Ŋ Ð Œ Þ a b c d e f g h i j k l m n o p q r s t u v w x y z æ ĳ ŋ ð œ þ ß ı ĸ [ ] ( ) / $ % Á Ă Â Ä Ǽ À Ā Ą Å Ǻ Ã Ć Č Ç Ĉ Ċ Ď Đ É Ĕ Ě Ê Ë Ė È Ē Ę Ğ Ĝ Ģ Ġ Ħ Ĥ Í Ĭ Î Ï İ Ì Ī Į Ĩ Ĵ Ķ Ĺ Ľ Ļ Ŀ Ł Ń Ň Ņ Ñ Ó Ŏ Ô Ö Ò Ő Ō Ø Ǿ Õ Ŕ Ř Ŗ Ś Š Ş Ŝ Ș Ŧ Ť Ţ Ț Ú Ŭ Û Ü Ù Ű Ū Ų Ů Ũ Ẃ Ŵ Ẅ Ẁ Ý Ŷ Ÿ Ỳ Ź Ž Ż á ă â ä ǽ à ā ą å ǻ ã ć č ç ĉ ċ ď đ é ĕ ě ê ë ė è ē ę ğ ĝ ģ ġ ħ ĥ í ĭ î ï ì ī į ĩ ĵ ķ ĺ ľ ļ ŀ ł ń ň ņ ñ ó ŏ ô ö ò ő ō ø ǿ õ ŕ ř ŗ ś š ş ŝ ș ŧ ť ţ ț ú ŭ û ü ù ű ū ų ů ũ ẃ ŵ ẅ ẁ ý ŷ ÿ ỳ ź ž ż ˆ ` ˇ ʼ = + i j

13 language support Lat supported languages include (Latin): Afrikaans, Albanian, Anglo-Saxon, Arbëresh, Asturian, Austrian, Basque, Belarusian, Bosnian, Breton, British, Catalan, Chamorro, Corsican, Crimean Tatar, Croatian, Czech, Dalecarlian, Danish, Dutch, Esperanto, Estlandish, Estonian, Faroese, Finnish, French, Friulian, Galician, German, Gilbertese, Greenlandic, Guaraní, Hawaiian, Hungarian, Icelandic, Irish, Italian, Karakalpak, Kashubian, Kurdish, Latin, Latvian, Leonese, Lithuanian, Malagasy, Maltese, Northern Sami, Norwegian, Polish, Portuguese, Romani, Romanian, Scots Gaelic, Serbian, Slovenian, Slovakian, Sorbian, Spanish, Swedish, Tetum, Tongan, Turkish, Turkmen, Uzbek, Walloon, Welsh, Wolof available font sets: Soleil Soleil Magic Caps Pro Bas Lat Lat Pro extended typographic features: Basic ligatures, discretionary ligatures, small caps, 5 sets of figures (old-style, lining, tabular lining, tabular old-style), arbitrary fractions, superiors & inferiors, ordinals, class kerning, case sensitive characters, arrows, ornaments. Bas basic typographic features: Basic ligatures, class kerning, arrows. the designer Wolfgang Homola is an independent type and graphic designer based in Vienna. After his studies at die Graphische in Vienna, he worked several years for Bohatsch Visual Communication in Vienna and for Harper Collins Publishers in London. In 2004, he received his MA in Typeface Design at the University of Reading, UK. During his career, he has designed postage stamps, award-winning books, dictionaries, bibles, annual reports, signage and wayfinding systems, logos and visual identities. He teaches graphic design at BA level, writes articles and gives lectures about typography and visual communication, and he continues to design typefaces. Upgrade from single weight to full bundle Buy a single weight (or more) now and get reimbursed if you buy the whole font bundle later at any time. This is a great way to explore a new typeface without full commitment. To take advantage of this, please write and to info@type-together.com custom work We offer custom type solutions tailored to the customer s needs. This may include new typefaces developed from scratch, font modifications of existing typefaces, extension of language support or creation of logotypes. Please contact us for details. webfonts We have partnered up with Typekit, Fontdeck, WebINK and Fonts.com that are able to reliably serve our fonts to your websites and provide you with the necessary technical support. Self-hosting is availabe for websites with over 1 million pageviews per month. Please contact us, if you wish to use this service. Solei, Type Design: Wolfgang Homola TypeTogether Soleil is a registered trademark of TypeTogether. All rights reserved. For further information, pricing and ordering, please visit info@type-together.com