Pantone 7449 C dle scháleného vzoru z 1. 4. 2011 - má tiskař v u sebe!!! BA 9508 Janáček, Skladby pro housle a klavír / Works for Violin and Piano / Werke für Violine und Klavier 1 BÄRENREITER URTEXT Bärenreiter Urtext je pečetí kvality vědecko-kritických edic. Zaručuje, že notový text odpovídá současnému stavu bádání a je připraven podle jasně formulovaných edičních zásad. Bärenreiter Urtext: výraz pro autentickou podobu díla. T BÄRENREITER URTEXT Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text the musicians choice. T BÄRENREITER URTEXT Bärenreiter Urtext ist ein Qualitätssiegel für wissenschaftlich-kritische Ausgaben. Es garantiert Notentexte auf dem aktuellen Stand der Forschung, ediert nach klar formulierten Editionsrichtlinien. Bärenreiter Urtext: der Begriff für authentische Textgestalt der Werke. ISMN 979-0-2601-0486-0 Bärenreiter Praha www.baerenreiter.cz Bärenreiter-Verlag Kassel www.baerenreiter.com B Ä R E N R E I T E R Skladby pro housle a klavír Works for Violin and Piano Werke für Violine und Klavier Bärenreiter U R T E X T přímé barvy - viz VZOR!!! ISMN 979-0-2601-0248-4 9790260 102484 SERIA II 5 JAN DISMAS ZELENKA PARTITURA BÄRENREITER PRAHA H 4974 CZECH MUSIC JANÁČE K MUSICA ANTIQUA BOHEMICA PSALMI ET MAGNIFICAT SALES CATALOGUE 2015 / 2016 Bärenreiter Praha
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Your Music Dealer: Pantone 7449 C dle scháleného vzoru z 1. 4. 2011 - má tiskař v u sebe!!! BÄRENREITER URTEXT Bärenreiter Urtext je pečetí kvality vědecko-kritických edic. Zaručuje, že notový text odpovídá současnému stavu bádání a je připraven podle jasně formulovaných edičních zásad. Bärenreiter Urtext: výraz pro autentickou podobu díla. T BÄRENREITER URTEXT Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text the musicians choice. T BÄRENREITER URTEXT Bärenreiter Urtext ist ein Qualitätssiegel für wissenschaftlich-kritische Ausgaben. Es garantiert Notentexte auf dem aktuellen Stand der Forschung, ediert nach klar formulierten Editionsrichtlinien. Bärenreiter Urtext: der Begriff für authentische Textgestalt der Werke. BA 9508 Janáček, Skladby pro housle a klavír / Works for Violin and Piano / Werke für Violine und Klavier ISMN 979-0-2601-0486-0 Bärenreiter Praha www.baerenreiter.cz Bärenreiter-Verlag Kassel www.baerenreiter.com 1 JANÁČE K B Ä R E N R E I T E R U R T E X T Skladby pro housle a klavír Works for Violin and Piano Werke für Violine und Klavier Bärenreiter přímé barvy - viz VZOR!!! ISMN 979-0-2601-0248-4 9790260 102484 MUSICA ANTIQUA BOHEMICA SERIA II 5 JAN DISMAS ZELENKA PSALMI ET MAGNIFICAT PARTITURA BÄRENREITER PRAHA H 4974 CONTENTS PIANO / KEYBOARD Piano Solo (piano two hands) Piano Duet (piano four hands) 11 Piano Concertos 1 HARPSICHORD Harpsichord Solo 1 Harpsichord Concertos 1 ORGAN Organ Solo 1 Organ Concertos 14 ACCORDION 14 VIOLIN Violin Solo 15 2 Violins Solo 18 Violin and Piano 18 Violin Concertos 22 VIOLA Viola Solo 22 Viola and Piano 22 Viola Concertos 22 VIOLONCELLO Violoncello Solo 22 Violoncello and Piano 2 Cello Concertos 2 DOUBLE BASS 24 HARP 24 GUITAR 24 WINDS Winds Collections 25 Recorder 25 Flute 25 Oboe (English Horn) 26 Clarinet 26 Saxophone 27 Bassoon 28 French Horn 28 Trumpet 28 Trombone 29 PERCUSSION 0 BÄRENREITER URTEXT CHAMBER MUSIC offering the best of Czech music Piano Trio 0 Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared Piano Quartet in accordance with clearly defined editorial guidelines. 1 Bärenreiter Urtext: the last word in authentic text the musicians choice. Piano Quintet 2 String Duo 2 String Trio 2 String Quartet 2 String Quintet 5 String Sextet 5 Wind Ensembles 5 Wind Ensembles and Piano 6 Miscellaneous Ensembles 6 Miscellaneous Ensembles and Piano 7 www.baerenreiter.cz info@baerenreiter.cz www.baerenreiter.com ORCHESTRA String Orchestra 41 Chamber Orchestra 41 Symphony Orchestra 4 SOLO VOICE (VOICES) 46 CHORAL MUSIC / SACRED AND SECULAR WORKS Collections 49 Children's Choir 49 Female Choir 49 Male Choir 50 Mixed Choir 51 OPERA 59 THEMATIC CATALOGUES 59 Index by composers 60 Promotional Gifts 61 Index by edition numbers 61 The catalogue contains a wide selection of Czech music titles from the production of Bärenreiter music publishing house. For more information about the complete offer, please see our website www.baerenreiter.cz / www.baerenreiter.com Bärenreiter Praha SPA 14 CZECH MUSIC SALES CATALOGUE 201 5 / 2016 Bärenreiter Praha This catalogue can be downloaded as a PDF from www.baerenreiter.cz www.baerenreiter.com www.youtube.com/ BaerenreiterVerlag www.facebook.com/ baerenreiter Contents valid as of March 2015. Errors excepted and delivery terms subject to change without notice. Printed by Bärenreiter Praha s.r.o., náměstí Jiřího z Poděbrad 112/19, 10 00 Praha, Czech Republic, in 2015. www.baerenreiter.cz 1
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PIANO / KEYBOARD Piano Solo (piano two hands) Pieces for Children and Youth / Educational Works Classici boemici II Dusík, Rejcha, Škroup, Tomášek, Voříšek Ed. V. J. Sýkora MAB I/20 H 156 Classics and Their Contemporaries I Dusík, Rejcha, Škroup, Tomášek, Voříšek Rev. by A. Sarauer, D. Křížková H 4497 Classics and Their Contemporaries II Beethoven, Cimarosa, Clementi, Czerny, Dušek, Haslinger, Haydn, W. A. Mozart, Mysliveček, Pleyel, Rössler, Steibelt, Vaňhal Rev. by A. Sarauer, D. Křížková H 5077 Czech Piano Music Dusík, Dvořák, Fibich, Janáček, Martinů, V. Novák, Smetana, Suk, Tomášek, Voříšek Rev. by K. Šolc H 50 Czech Sonatinas J. A. Benda, Dusík, Dušek, L. Koželuh, Mysliveček, Vaňhal, Voříšek Eds. K. Emingerová, O. Kredba MAB I/17 H 1122 Dlouhý Milan (*198) Tell Me, Tell Me, Dandelion (Ptám se, ptám se, pampeliško) A cycle of instructive pieces (Cz/Ger/Eng) Rev. by J. Uxová H 7781 Dusík Jan Ladislav (1760 1812) Twelve Melodic Studies for Piano Op. 16 COPY Ed. V. J. Sýkora MAB I/21 H 907 Dvořák Antonín (1841 1904) Largo from Symphony No. 9 in E min From the New World Op. 95 Arr. by L. Láska in an easy style H 1810 Dvořák Milan (*194) Jazz Piano Studies (Cz/Ger/Eng) H 5020 Vol. 1 H 7082 Vol. 2 In order to get acquainted with jazz piano playing the pianist needs to cope with the technical demands as well as the expressive phrasing of jazz. These range from characteristic accentuation, distinctive syncopation, inverted mordents, playing in blocks to rhythmical independence of the right hand from the left. These studies offer ways to explore different styles and genres. Helpful guidance notes to ensure correct improvisation are also included. Eben Petr (1929 2007) The World of Children (Svět malých) 20 little compositions Rev. by I. Hurník H 211 Three Pieces in C H 6421 For Young People from Modern Czech Composers Ed. V. Jůzlová H 7591 This representative selection of the works of eminent Czech composers of the first half of the 20th century contains intermediate-level compositions by Blažek, Doubrava, Jirák, Kabeláč, Kaprálová, Krejčí, Martinů, Rychlík, Schulhoff, V. Štěpán, D. C. Vačkář. An ideal choice for conservatories and more advanced pupils of music schools. Graham Peter (*1952) NEW 2015 Subversive Etudes (Jinakosti) BA 9585 To appear in October 2015 The extraordinary piano miniatures by Peter Graham provide a distinctive and unorthodox approach to the issue of instructive piano performance repertoire. The rhythmic and tonal invention of these diversely styled genre pieces instils them with a musical humour. The short compositions also help develop finger technique and a sense of polyphony, gently building up the student's plasticity of performance. Instructive piano performance miniatures A welcome teaching supplement for curious children and open-minded teachers Easy to moderate level of difficulty
PIANO / KEYBOARD Hanuš Jan (1915 2004) Moments in Nature (Vteřiny v přírodě) Op. 18 A cycle of ten miniatures for the youngest pianists Rev. by E. Doležalová H 201 The Story of Ten Brothers (O deseti bratrech) Op. 2 Easy exercises and etudes for young fingers (Cz/Ger/Eng) H 2242 Hradecký Emil (*195) A Little Jazz Album (Cz/Ger/Eng) H 725 Jazz Etudes for Young Pianists Ed. Š. Krejčí (Cz/Ger/Eng) H 7974 Hurník Ilja (1922 201) Jazz piccolo (Džezík) easy piano pieces (Cz/Ger) H 629 Studies (Etudy) H 6474 Korte Oldřich F. (1926 2014) Excursion (Exkurse) A cycle of instructive pieces (Cz/Ger/Eng) H 7948 Martinů Bohuslav (1890 1959) Fables (Bajky) H. 18 5 pieces in moderate level of difficulty H 6 Spring in the Garden (Jaro v zahradě) H. 125 4 children's pieces Ed. A. Březina H 257 Slavický Klement (1910 1999) 12 Small Studies Rev. by E. Kleinová H 4149 Smetana Bedřich (1824 1884) A selection of Piano Compositions I Ed. V. Štěpán, rev. by K. Šolc moderate level of technical difficulty H 1979 Innocence (Nevinnost), Love (Láska), Polka in E-flat maj (op. posth.), Album Leaves (Lístky do památníku) Op. 2 Nos. 2,, 6, Polkas in E maj, in E-flat maj, in G min, in E min, Idyll (Idyla), Souvenir (Vzpomínka), A Pleasant Landscape (Přívětivá krajina) Treasure of Melodies II 5 easy instructive pieces in increasing level of difficulty Ed. H. Séquardtová H 4499 Sonatinas and Rondos I Clementi, Dusík, Kuhlau Rev. by V. Kurz H 25 Suk Josef (1874 195) About Mother (De maman / O matince) Op. 28 COPY Simple piano pieces for my little son Ed. B. Selva H 297 Love Song (Píseň lásky) Op. 7 No. 1 Arr. by P. Blažek, rev. by K. Šolc H 2424 Repertoire Works Benda Jiří Antonín (1722 1795) Sonate I XVI Ed. V. J. Sýkora MAB I/24 H 1796 Dusík Jan Ladislav (1760 1812) Sonate I VII COPY Ed. V. J. Sýkora MAB I/46 H 099 Sonate VIII XVI COPY Ed. V. J. Sýkora MAB I/5 H 289 Sonate XVII XXIII Ed. V. J. Sýkora MAB I/59 H 41 Sonate XXIV XXIX Ed. V. J. Sýkora MAB I/6 H 756 Dvořák Antonín (1841 1904) Dumka Op. 5, Furiant Op. 12, Two Little Pearls (Dvě perličky) B 156 ADCE V/ H 6676 Humoresque in G-flat maj Op. 101 No. 7 Urtext / Eds. P. Kvasničková, M. Štědroňská Preface (Cz/Eng/Ger), critical commentary (Cz/Eng) and facsimile pages BA 950 Humoresques Op. 101 ADCE V/4 H 1274 Impromptu B 129, Humoresque B 18 ADCE V/ H 2850 Mazurkas Op. 56 ADCE V/2 H 2907 4
PIANO / KEYBOARD Piano Compositions 1 COPY H 7040-01 Dumka Op. 5, Eclogues B 10, Furiants Op. 42, Piano Pieces Op. 52, Silhouettes Op. 8, Tema con variazioni Op. 6, Waltzes Op. 54 Piano Compositions 2 COPY H 7040-02 Mazurkas Op. 56, Impromptu in D min B 129, Dumka and Furiant Op. 12, Poetic Tone-Pictures (Poetické nálady) Op. 85, Suite in A maj Op. 98, Humoresques Op. 101, Dances: Polka in E maj B, Minuets Op. 28 and Scottish Dances Op. 41, Album Leaves (Lístky do památníku) B 109/2, B 128a, B 158, B 109/1/2/4, B 116, Humoresque in F-sharp maj B 18, Two Little Pearls (Dvě perličky) B 156, Lullaby (Ukolébavka), Capriccio B 188/1, 2 Piano Compositions Op. 52 Eclogue, Gigue, Impromptu, Intermezzo ADCE V/2 H 177 Poetic Tone-Pictures (Poetické nálady) Op. 85 Eds. J. Burghauser, A. Čubr ADCE V/ H 8 Silhouettes Op. 8 12 piano pieces ADCE V/1 H 176 Slavonic Dances Op. 46 (Series I) Arr. by K. Šolc H 159 Slavonic Dances Op. 72 (Series II) Arr. by K. Šolc H 1428 Suite in A maj Op. 98 ADCE V/4 H 2226 Symphony No. 9 in E min From the New World Op. 95 Arr. by K. Šolc H 1110 Tema con variazioni Op. 6 COPY ADCE V/1 H 1126 Waltzes Op. 54 ADCE V/2 H 1498 Eben Petr (1929 2007) Universi Liturgical movement for piano Prague Spring IMC Commission (2004) H 7917 Veni creator spiritus Improvisation on the Gregorian Theme H 7744 Fibich Zdeněk (1850 1900) Images, Impressions et Souvenirs (Nálady, dojmy a upomínky) Op. 41 Rev. by K. Šolc H 84 Vol. I H 425 Vol. II H 675 Vol. III H 676 Vol. IV Fišer Luboš (195 1999) Complete Sonatas for Piano by one of the most distinctive figures of Czech music of the 20th century. His 2nd Sonata (1957) was subsequently eliminated by composer himself from his compositional repertoire. H 7911 H 7957 H 7988 H 7757 H 7758 H 7766 H 7989 Sonata I Sonata III Sonata IV Sonata V Sonata VI Fras (The Devil) Sonata VII Sonata VIII Fišer Luboš (195 1999) Dreams and Waltzes (Sny a valčíky) H 7795 Janáček Leoš (1854 1928) A Recollection (Vzpomínka) COPY Ed. J. Trojan H 5781 Compositions for Piano Solo Eds. J. Burghauser, L. Kundera H 6070p (practical edition) Tema con variazioni (Zdenkas Variations / Zdenčiny variace), Three Moravian Dances (Tři moravské tance), Sonata 1. X. 1905, On an Overgrown Path (Po zarostlém chodníčku) I II, In the Mists (V mlhách), A Recollection (Vzpomínka) In the Mists (V mlhách) Urtext with fingering Eds. J. Burghauser, L. Kundera / Fingering by R. Kvapil BA 9500 Lachian Dances (Lašské tance) Arr. by J. Máslo H 6065 On an Overgrown Path (Po zarostlém chodníčku) Series I II Urtext with fingering / Eds. J. Burghauser, L. Kundera Fingering by R. Kvapil BA 9502 Sonata 1. X. 1905 Urtext with fingering / Eds. J. Burghauser, L. Kundera Fingering by R. Kvapil BA 9501 5
PIANO / KEYBOARD Janáček Leoš (1854 1928) Tema con variazioni (Zdenkas Variations / Zdenčiny variace) Rev. by R. Kvapil H 6070-01 Ježek Jaroslav (1906 1942) Bugatti Step H 156 A virtuosic piano foxtrot (191) was influenced by the composer's fascination with the Bugatti car. Throughout the piece a pulsating rhythm suggests the vibration of a Bugatti engine. Jírovec Vojtěch (176 1850) 12 Waltzes for Piano Ed. V. Müllerová H 478 Kabeláč Miloslav (1908 1979) Motifs from Exotic Lands (Cizokrajné motivy) Op. 8 Ed. Z. Nouza MKCE V/4 H 7906 6 Seven Pieces for Piano Op. 14 Ed. Z. Nouza MKCE V/5 H 7857 Short Pieces for Piano (Drobné skladby pro klavír) Ed. Z. Nouza MKCE V/6 H 7842 Kalabis Viktor (192 2006) Entrata, aria e toccata Op. 41 COPY H 654 Piano Sonata No. Op. 57 H 7415 Korte Oldřich F. (1926 2014) Sonata One of the most internationally performed piano works of postwar Czech music won the 1st special prize at the Bolzano International Composers Competition in 1956, performed to exceptional acclaim by Maurizio Pollini. H 1842 Koželuh Leopold (1747 1818) Complete Sonatas for Keyboard Urtext / Ed. C. Hogwood BA 9511 Vol. I BA 9512 Vol. II BA 951 Vol. III BA 9514 Vol. IV NEW 2015 To appear in August 2015 BA 9515 complete set of 4 volumes see more on the next page Martinů Bohuslav (1890 1959) Christmas (Le Noël /Vánoce) H. 167 Three pieces: Sleigh (Sáně), Christmas Carol (Vánoční koleda), Childern's Lullaby (Dětská ukolébavka) Rev. by K. Šolc H 5081 Film en miniature H. 148 Cycle of six pieces Ed. V. Kafková H 5709 Puppets (Loutky) I-III H. 17, H. 116, H. 92 Ed. A. Březina H 7875 Vol. I H 7946 Vol. II H 796 H 7970 Newly revised Vol. III All volumes combined New fingering by Giorgio Koukl Detailed preface and critical commentary by the editor (Cz/Ger/Eng/Fr) The three volumes of Puppets were composed between 1912 and 1925 in reverse order. The charming pieces all differ from one another in character. Martinů's approach evolves throughout and he displays a mature and idiomatic style of piano writing. The pieces take the characters of Italian commedia dell'arte as their theme; Pierrot, Colombina and Harlequin. Also included are dance and ball scenes as well as scenes from the personal lives of the puppets. Quatre Mouvements H. 170 Rev. by I. Popelka H 6156
The complete solo sonatas for keyboard by Mozart's popular contemporary KLAVÍR LEOPOLD KOŽELUH Complete Sonatas for Keyboard Urtext / Ed. Christopher Hogwood BA 9511 Vol. I (12 sonatas from 1780 1784) BA 9512 Vol. II (12 sonatas from 1784 1786) BA 951 Vol. III (1 sonatas from 1788 1797) BA 9514 Vol. IV (6 sonatas from 1807 1809, 1 sonata from 1770s, 6 sonatas which exist only in manuscript) BA 9515 complete set of 4 volumes 20 6 12 17 21 27 Allegro Sonata 26 BA 951 Opus 26, no. 2, 1788 mezza voce dolce [] As the foremost representative of Czech music in 18th century Vienna, Leopold Koželuh (1747 1818) was noted primarily as composer, pianist and keyboard teacher. His 50 keyboard sonatas cover his entire career and mark not only the transition from the harpsichord and clavichord manner to the fully idiomatic forte-piano style, but also the development of the classical sonata during three decades (177 1806). Until now, pianists have had little chance to acquaint themselves with the complete range of Koželuh's sonatas since very few modern editions were available. For the first time, this new complete edition by Christopher Hogwood presents all of Koželuh's sonatas for keyboard solo. The four volumes each contain 12 to 1 sonatas, and the works are presented chronologically according to the date of their first publication. First complete edition of all solo keyboard sonatas by Leopold Koželuh Fills a gap in Czech and Central-European Classical repertoire Suitable for amateurs as well as professionals; ideal for teaching purposes Includes a detailed preface (Eng/Cz/Ger), critical commentary (Eng) and facsimile pages from the sources 7
PIANO / KEYBOARD Mysliveček Josef (177 1781) Six Sonatas Rev. by V. Němec Preface about the composer and his works by O. Zuckerová (Cz/Ger/Eng) H 70 Novák Vítězslav (1870 1949) Sonatinas Op. 54 Nos. 1, 2 Rev. by F. Rauch H 475 Rejcha Antonín (1770 186) 6 Fugues for Piano Ed. V. J. Sýkora Preface by R. Dykast (Cz/Eng/ Ger) BA 9541 The Czech composer Antonín Reicha (also Anton Reicha) was famous as both an experimental composer and as a teacher and theorist. His 6 Fugues for Piano testify to this experimentalism; they can be seen as a type of Well- Tempered Piano of the new ages, basing the traditional Baroque fugue on radically new fundaments. Simon Ladislav (1929 2011) Piano Sonata No. 2 H 7445 Schulhoff Erwin (1894 1942) NEW 2014 Jazz Inspired Works Urtext / Ed. M. Kube BA 9559 Partita (1922) / Cinq études de jazz (1926) / Esquisses de jazz: Six pièces faciles pour piano (1927) / Hot Music: Ten Syncopated Studies (1928) / Suite dansante en jazz (191) NEW 2014 Sonatas Nos. 1 Urtext/ Ed. M. Kube BA 9560 Erwin Schulhoff was a Prague German-speaking composer. His compositions of the 1920s, with their blend of traditional genres, jazz syncopations, dance rhythms and moderately expanded tonality, were fully attuned to the tenor of the times. First Urtext editions Prefaces (Ger/Cz/Eng) and Critical Commentaries (Eng) by the editor Smetana Bedřich (1824 1884) A selection of Piano Compositions III Ed V. Štěpán, rev. by K. Šolc advanced level of technical difficulty H 74 Macbeth and the Witches (Macbeth a čarodějnice) Op. posth., On the Seashore (Na břehu mořském), Bohemian Harvest (Slavnost českých sedláků), selection from Czech Dances: Polka in F maj, Furiant, Medvěd, Slepička, Obkročák Album Leaves (Lístky do památníku) Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9525 Album Leaves (Lístky do památníku) Opp. 2,, Sketches (Črty) Opp. 4, 5, Posthumous Compositions (Skladby z pozůstalosti), Compositions for Various Occasions (Skladby příležitostně uplatněné) Czech Dances Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9507 (replaces H 708) Series I: Polkas in F-sharp min, in A min, in F maj, in B-flat maj, Series II: Furiant, Slepička, Oves, Medvěd, Cibulička, Dupák, Hulán, Obkročák, Sousedská, Skočná Early Piano Works Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9527 Compositions from the years 1840 1849: Bagatelles et impromptus, Six morceaux caractéristiques Op. 1, Wedding Scenes (Svatební scény), first Polkas: Louisa's (Louisina), Dahlia (Jiřinková), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpomínka na Plzeň), Polka in E-flat maj 8
PIANO / KEYBOARD Bedřich Smetana The Complete Piano Works Jitka Čechová Smetana / The String Quartets Pavel Haas Quartet Smetana / Piano Trio in G minor Dvořák / Dumky, Slavonic Dances Dvořák Trio SUPRAPHON - LION IN THE WORLD OF MUSIC SUPRAPHON a. s. www.supraphon.com info@supraphon.com www.facebook.com/supraphonclassics www.twitter.com/supraphoncz Available on 9
PIANO / KEYBOARD Smetana Bedřich (1824 1884) On the Seashore (Na břehu mořském) / Concert Etude in C maj (Koncertní etuda C dur) / Fantasia on Czech Folksongs (Fantasie na české národní písně) included also Allegro capriccioso and Etude in A min Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9519 (replaces H 72) Piano Compositions 1 Ed. J. Novotný H 7 10 Bagatelles et impromptus and other early piano compositions: Polkas (Betty's, Louisa's, Dahlia, Polka in E-flat maj), Duet, Impromptu I, Impromptu II, Impromptu III, Composition without name, Apparation at the Ball (Vidění na plese), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpomínka na Plzeň) Piano Compositions 5 Ed. J. Novotný H 7460 Six morceaux caractéristiques Op. 1, The Curious One (Zvědavý), Forest Emotions and Impressions (Lesní city a dojmy), Waltzes, Album Leaves (Skladby psané do památníku) Piano Compositions 6 Ed. J. Novotný H 7215 Dreams (Rêves / Sny), Wedding Scenes (Svatební scény), Treasury of Melodies I (Poklad melodií I) Polkas Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9506 Three Drawing-Room Polkas (Tři salonní polky) Op. 7, Three Poetic Polkas (Tři poetické polky) Op. 8, Souvenir of Bohemia in the Form of Polkas (Vzpomínka na Čechy ve formě polek) Opp. 12, 1, Polkas from the 1850s (Polky z let padesátých) Rêves (Dreams / Sny) Six morceaux caractéristiques pour le piano Urtext with fingering / Ed. J. Gabrielová BA 9529 The six pieces of Rêves were written in 1875, when Smetana had already lost his hearing. This significant work by the composer has not been included in the Complete Edition of Works for Piano. This new edition by Jarmila Gabrielová is based on the first printed edition of 1879 by Emilián Starý. It is the first critical edition ever produced of this masterpiece. First critical edition Preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor With the historical fingering by Smetana's contemporary, Jindřich Kàan z Albestů Suk Josef (1874 195) Lullabies (Ukolébavky) Op. Rev. by K. Šolc H 4154 Piano Compositions Op. 7 Rev. by K. Šolc H 5766 Love Song (Píseň lásky), Humoresque, Recollections (Vzpomínky), Idylls (Idylky), Dumka, Capriccietto Radúz and Mahulena Op. 1 Music to a Slovak fairy tale in 4 acts by Julius Zeyer H 1879 piano reductin (Roman Veselý) Spring (Jaro) Op. 22a Five pieces for piano Rev. by K. Šolc H 298 NEW 2015 Things Lived and Dreamt (Životem a snem) Op. 0 Ten Pieces for Piano Urtext / Ed. J. Gabrielová BA 9561 The cycle Životem a snem (Things Lived and Dreamt) has been called the diary of an artist. Although Suk's musical language never exceeds the bounds of tonality, his wealth of resources, the flexible harmony, chords of stacked thirds and meticulous performance instructions were new to the Bohemia of his day. The autograph contains many cuts, overwritings and barely decipherable passages, yet it is carefully prepared and largely identical to the first edition of 1909. This first scholarly-critical edition takes all source variants into account for the first time. Magnum opus of Suk's piano music First ever scholarly-critical edition Preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor
PIANO / KEYBOARD 9 17 25 2 (Tajemně a velmi vzdušně) (Mysterious and very airy) Andante sostenuto (Geheimnisvoll und sehr duftig) 6 8 mp mp 6 8 Vivace sempre dolcissimo poco poco marcato ma pp Vaňhal Jan Křtitel (179 181) Twelve Sonatines (Dodici Sonatine) Rev. by V. Němec Preface by O. Zuckerová (Cz/Ger/Eng) H 7461 Voříšek Jan Václav Hugo (1791 1825) Composizioni per piano solo Ed. O. Zuckerová MAB I/52 H 27 Impromptus Op. 7 Ed. V. Helfert MAB I/1 H 2182 dolce III poco marc. dim. pp pp poco poco poco poco pp sempre pp e dolcissimo pp mf marcato il basso perdendosi pp From: Josef Suk, Things Lived and Dreamt Op. 0 BA 9561 XII rhapsodies pour le pianoforte Op. 1, Vol. I (Rhapsodies I VI) Ed. V. J. Sýkora MAB I/78 H 606 XII rhapsodies pour le pianoforte Op. 1, Vol. II (Rhapsodies VII XII) COPY Ed. V. J. Sýkora MAB I/79 H 6114 Sonata in B-flat min Op. 20 Ed. O. Zuckerová MAB I/4 H 71 Symphony in D maj H 72 piano reduction (Karel Šolc) 9 Piano Duet (piano four hands) Educational Works Eben Petr (1929 2007) The Little Green Forest (Hájíčku zelený) Arrangements of Folk Songs (Cz/Ger/Eng) Rev. by J. Němcová, V. Němec H 6657 Hradecký Emil (*195) Jazz Pieces for Twenty Fingers (Cz/Ger/Eng) piano four hands arrangements of popular dances Waltz, Ragtime, Samba, Tango etc. H 7975 Hurník Ilja (1922 201) Playing with Four Hands (Čtyřruční hra) (Cz/Ger) H 6155 Kopelent Marek (*192) Two (Dva) H 6474 11
PIANO / KEYBOARD Repertoire Works Dvořák Antonín (1841 1904) Legends (Legendy) Op. 59 Eds. F. Bartoš, A. Pokorný, K. Šolc ADCE V/6 H 1801 Scottish Dances (Skotské tance) Op. 41 With revision of dynamics, adding pedalling and convenient fingerings (Cz/Ger/Eng) H 5851 Kabeláč Miloslav (1908 1979) Small Suite (Malá suita) Op. 42 COPY H 598 Dvořák Antonín (1841 1904) NEW 2015 From the Bohemian Forest (Ze Šumavy) Op. 68 Cycle of six characteristic pieces Ed. A. Čubr BA 9565 (replaces H 215) To appear in August 2015 In the Spinning-room (Na přástkách), By the Black Lake (U Černého jezera), Walpurg's Night (Noc filipojakubská), In the Wait (Na čekání), Silent Woods (Klid), From Troublous Times (Z bouřlivých dob) Dvořák wrote the cycle From the Bohemian Forest at the instigation of his publisher Fritz Simrock at the turn of the years 188 84, and it was published soon after in spring. It is the composer's third cycle for piano four hands, following Slavonic Dances and Legends. Dvořák drew his inspiration from the countryside that he enjoyed visiting in his free time. The current edition reprints the notation from the ADCE Vol. V/6. Popular piano four hands miniatures, separate pieces suitable as encores New preface by H.-J. Hinrichsen, I. Rentsch (Ger/Cz/Eng) In a clear format of primo / secondo Slavonic Dances (Slovanské tance) Op. 46 and Op. 72 Ed. J. Burghauser New preface by H.-J. Hinrichsen and I. Rentsch (Ger/Eng/Cz) Newly engraved in score format BA 9547 Op. 46 / Series I (replaces H 592) BA 9548 Op. 72 / Series II (replaces H 124) Hurník Ilja (1922 201) Innocenza Rev. by J. Němcová, V. Němec H 7717 Hurník Lukáš (*1967) Hot-Suite Rev. by J. Němcová, V. Němec H 768 Janáček Leoš (1854 1928) Sinfonietta H 7741 piano reduction for four hands (František Jílek) Smetana Bedřich (1824 1884) NEW 2014 Vltava (The Moldau) Tone poem from the cycle Má vlast (My Country) in the original version for piano duet Urtext / Ed. H. Macdonald Preface by O. Mojžíšová BA 9549 Vltava is Smetana's most famous and frequently performed tone poem. It was written between 20 November and 8 December 1874, but only in 1879-1880 with the completion of the entire cycle Má vlast, did the full score and his version for piano duet appear in print. In addition to the orchestral score, Hugh Macdonald's new Urtext edition also includes the composer's own version for piano duet. Urtext edition with Primo and Secondo parts printed on facing pages Clear and uncluttered engraving Informative preface including a contribution by Smetana scholar Olga Mojžíšová (Cz/Eng/Ger) (score and orchestral parts see section ORCHESTRA) 12
PIANO / HARPSICHORD / ORGAN Piano Concertos Bořkovec Pavel (1894 1972) Concerto No. 1 for Piano and Small Orchestra H 4985 study score Dvořák Antonín (1841 1904) Concerto in G min for Piano and Orchestra Op. COPY With two solo parts (scored in parallel) the original by the composer and an arrangement by V. Kurz. ADCE III/10 H 1780 piano reduction (Karel Šolc) Fišer Luboš (195 1999) Concerto da camera for piano and chamber orchestra H 5422 Janáček Leoš (1854 1928) score Capriccio for Piano Left Hand and Wind Ensemble flute / piccolo, 2 trumpets, trombones, tenor tuba ossia French horn Eds. L. Faltus, J. Procházková LJCE E/5 BA 6856 cloth bound score with parts Urtext / Eds. L. Faltus, J. Procházková Preface by J. Procházková BA 955 score and parts in slipcover The Capriccio was written in the autumn of 1926 at the suggestion of the pianist Otakar Hollmann, an invalid from the First World War. Like his contemporary Paul Wittgenstein, Hollmann urged composers to write something for piano left hand; he succeeded in persuading Bohuslav Martinů, Erwin Schulhoff and Janáček to do this. Janáček did not want, as he put it, to compose a dance for one leg, but finally wrote a four-movement work with associations to military music. Janáček Leoš (1854 1928) Concertino for piano, 2 violins, viola, clarinet, French horn and bassoon H 442 score with parts Martinů Bohuslav (1890 1959) Concerto for Piano and Orchestra No. 4 Incantation H. 58 BA 418-90 Harpsichord Solo piano reduction (Karel Šolc) Dušek František Xaver (171 1799) Sonate per il clavicembalo in F, C, G, G, D, A, F, E-flat maj Rev. by M. Knotková, A. Němec MAB I/8 H 80 Gemrot Jiří (*1957) Plays for Harpsichord (Hry pro cembalo) Prague Spring IMC Commission (2005) H 7896 Rychlík Jan (1916 1964) Hommaggi gravicembalistici per cembalo Rev. by K. Šrom H 518 Performance material available on hire Harpsichord Concertos Benda Jiří Antonín (1722 1795) Concerto in G min for Harpsichord and Strings violin I II, viola, violoncello (double bass) Ed. V. Bělský MAB I/10 H 748 score with parts Due concerti per cembalo COPY violin I II, viola, violoncello (double bass) in F maj, in G maj Ed. V. Bělský MAB I/77 H 5805 score Tre concerti per cembalo violin I II, viola, violoncello (double bass) in F min, in B min, in G maj Ed. V. Bělský MAB I/45 H 2981 Organ Solo score ( only in F and B min) Dvořák Antonín (1841 1904) Largo from the Symphony No. 9 in E min From the New World Op. 95 Arr. by M. Kampelsheimer in an easy style H 1809 Symphony No. 9 in E min From the New World Op. 95 Transcription for organ by Z. Szathmáry BA 8472 New addition to the organ repertoire Outstanding virtuoso organ writing Preludes and Fugues for Organ B 02 Eds. J. Burghauser, A. Čubr ADCE VII/ H 64 Bärenreiter-Verlag Kassel production 1
ORGAN / ACCORDION Eben Petr (1929 2007) Musica dominicalis (Nedělní hudba) (Cz/Ger/Eng) H 761 Eben's most famous composition for the royal instrument Revised edition with notes on interpretation by Jan Hora in cooperation with the composer Ten Chorale Preludes H 7845 Fišer Luboš (195 1999) Relief H 7967 Janáček Leoš (1854 1928) Organ Works Eds. M. Buček, L. Faltus LJCE F/2 BA 6852-01 cloth bound score Urtext / Eds. M. Buček, L. Faltus With preface by J. Zahrádka (Cz/Eng/Ger) BA 9524 Three Pieces for Organ from Prague Studies in 1874 1875 (Overture, Varyto, Choral Fantasy), Two Pieces for Organ selfpublished in 1884, Postludium the penultimate part of the famous Glagolitic Mass Novák Jan (1921 1984) Iubilationes per organo H 7865 Old Czech Organ Christmas Josef Seger, Jakub V. Paus, František X. Brixi, Jiří I. Linek, Jan K. Vaňhal, Jan K. Kuchař, Karel B. Kopřiva Ed. J. Smolka H 7690 Organ Compositions of Old Czech Masters František X. Brixi, Jan K. Vaňhal, Jan K. Kuchař, Karel F. Pitsch Ed. B. Geist, rev. by M. Kampelsheimer H 4506 From: Petr Eben, Musica dominicalis H 761 Seger Josef Ferdinand Norbert (1716-1782) Composizioni per organo (Preludi e fughe) COPY Ed. V. Bělský MAB I/56 H 64 Slavický Milan (1947 2009) Sursum corda H 787 Štědroň Miloš (*1942) Claudio Monteverde: Praga 1595 Prague Spring IMC Commission (2006) H 7969 Teml Jiří (*195) The Alchemists (Alchymisté) H 7976 Organ Concertos Brixi František Xaver (172 1771) Concerto Fa maggiore per organo principale 2 French horns, violin I II, viola, basso continuo Ed. J. Reinberger MAB I/26 H 1852 score Due concerti per organo 2 clarinas in D, violin I II, viola, violoncello and double bass in D maj, in G maj Ed. V. Bělský MAB I/75 H 492 score Accordion Havlíček Ilja Machalíčková Františka Ondruš Ján School of Accordion Playing (Cz/Ger) H 204 Performance material available on hire 14
1/2 - líc: HKS 41 K, rub: barva papíru Salzer + černá barva BÄRENREITER PRAHA H 599 BA 9552 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik op. 1 Sešit 1 / Book 1 / Heft 1 ISMN 979-0-2601-0711- 1 14 Bärenreiter Praha www.baerenreiter.cz Bärenreiter-Verlag Kassel www.baerenreiter.com VIOLIN Violin Solo (with accompaniment) Educational Works Gola Zdeněk (*1929) Violin Technique A new method for practising left hand technique (Cz/Ger/Eng) BA 9550 Vol. 1 BA 9551 Vol. 2 see more on p. 20 Ševčík Otakar (1852 194) NEW 2015 Changes of Position and Preparatory Scale Studies Op. 8 Ed. J. Foltýn BA 9557 (replaces H 260) see more on pp. 16-17 NEW 2015 Preparation for Trill Exercises and the Development of Finger- Stopping Op. 7 Ed. J. Foltýn BA 9556 (replaces H 254, H 255) To appear in October 2015 see more on pp. 16-17 Preparation for Trill Exercises and the Development of Finger- Stopping Op. 7 Ed. N. Kubát H 254 Book 1 H 255 Book 2 This older edition will be available until stock lasts (will be replaced by BA 9556) Preparatory Exercises in Double- Stopping Op. 9 Ed. N. Kubát H 2090 NEW 2015 School of Bowing Technique Op. 2 Ed. J. Foltýn BA 9591 Book 1 (replaces H 296, H 259) BA 9592 Book 2 (replaces H 874, H 4217) BA 959 Book see more on pp. 16-17 Violin School for Beginners Op. 6 Ed. N. Kubát H 257 Book 1 H 54 Book 4 H 55 Book 5 H 258 Book 7 Repertoire Works Benda František (1709 1786) Caprice COPY for violin solo Rev. by J. Čeleda H 1 ŠKOLA HOUSLOVÝCH ETUD I ETÜDENSCHULE FÜR DIE VIOLINE I I. POLOHA I. LAGE SEŠIT HEFT 1 2 Krůček Václav (*1927) School of Violin Studies I 1st Position (Cz/Ger) H 599 Vol. 1, 2 School of Violin Studies II Playing in Positions (Cz/Ger) H 6187 Vol., 4 NEW 2014 ŠEVČÍK Škola houslové techniky School of Violin Technique Schule der Violintechnik op. 1 Sešit 1 / Book 1 / Heft 1 1. poloha / 1 st Position / 1. Lage Bärenreiter School of Violin Technique Op. 1 Ed. J. Foltýn BA 9552 Book 1 BA 955 Book 2 BA 9554 Book BA 9555 Book 4 (replaces H 244, H 206, H 2088, H 2089) see more on pp. 16-17 Fišer Luboš (195 1999) Crux for violin, timpani and bells Reproduction of the autograph from the property of I. Štraus H 7966 performance score Hanuš Jan (1915 2004) A Zest for Life (Chuť žít) Op. 127 A Fantasy Variation for Solo Violin in Response to Pierre Teilhard de Chardin's Thoughts Rev. by P. Maceček H 7881 15
barva papíru Salzer k op. 1 1/1 - líc: HKS 41 K, rub: barva papíru Salzer 1/1 - líc: HKS 41 K, rub: barva papíru Salzer BA 955 k, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik op. 1 Sešit 2 / Book 2 / Heft 2 ISMN 979-0-2601-0712-0 BA 9554 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik op. 1 Sešit / Book / Heft Bärenreiter Praha www.baerenreiter.cz ISMN 979-0-2601-0721-2 Bärenreiter-Verlag Kassel www.baerenreiter.com BA 9555 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik op. 1 Sešit 4 / Book 4 / Heft 4 Bärenreiter Praha www.baerenreiter.cz ISMN 979-0-2601-0722-9 Bärenreiter-Verlag Kassel www.baerenreiter.com 1 14 Bärenreiter Praha www.baerenreiter.cz Bärenreiter-Verlag Kassel www.baerenreiter.com 1 14 t = HKS 41 K / barva papíru Salzer p. 1 1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer BA 9552 ola houslové techniky / School of Violin Technique / Schule der Violintechnik op. 1 Svazek 1 / Volume 1 / Band 1 ISMN 979-0-2601-0711- BA 9552 Škola houslové techniky / School of Violin Technique / Schule der Violintechnik op. 1 Svazek 1 / Volume 1 / Band 1 Bärenreiter Praha www.baerenreiter.cz ISMN 979-0-2601-0711- Bärenreiter-Verlag Kassel www.baerenreiter.com 1 14 Bärenreiter Praha www.baerenreiter.cz Bärenreiter-Verlag Kassel www.baerenreiter.com 1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer 1 14 BA 9552 Škola houslové techniky / School of Violin Technique / Schule der Violintechnik op. 1 Svazek 1 / Volume 1 / Band 1 ISMN 979-0-2601-0711- 1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer Bärenreiter Praha www.baerenreiter.cz Bärenreiter-Verlag Kassel www.baerenreiter.com BA 9556 Ševčík, Průprava k trylku a výcvik prstového úhozu / Preparation for Trill Exercises and the Development of Finger-Stopping / Triller-Vorstudien und Ausbildung des Finger-Anschlages op. 7 ISMN 979-0-2601-0760-1 1 15 Bärenreiter Praha www.baerenreiter.cz Bärenreiter-Verlag Kassel www.baerenreiter.com K LAVÍR BÄRENREITER NEW EDITIONS OF ŠEVČÍK'S PRINCIPAL WORKS ŠEVČÍK Škola houslové techniky School of Violin Technique Schule der Violintechnik op. 1 Sešit 1 / Book 1 / Heft 1 1. poloha / 1 st Position / 1. Lage ŠEVČÍK Škola houslové techniky School of Violin Technique Schule der Violintechnik op. 1 Sešit 2 / Book 2 / Heft 2 2. 7. poloha / 2 nd 7 th Position / 2. 7. Lage ŠEVČÍK Škola houslové techniky School of Violin Technique Schule der Violintechnik op. 1 Sešit / Book / Heft ŠEVČÍK Škola houslové techniky School of Violin Technique Schule der Violintechnik op. 1 Sešit 4 / Book 4 / Heft 4 pozor kod v K.-černá ŠEVČÍK Výměny poloh a průprava ke cvičení stupnic Changing Positions and Preparatory Scale Studies Lagenwechsel und Tonleiter-Vorstudien Výměny poloh / Changing Positions / Lagenwechsel op. 8 Bärenreiter Cvičení dvojhmatová a flažoletová Exercises in Double Stops and Harmonics Übungen mit Doppelgriffen und Flageolett -Tönen Bärenreiter Bärenreiter Bärenreiter Bärenreiter od v K.-černá School of Violin Technique Op. 1 BA 9552 Book 1: 1st Position BA 955 Book 2: 2nd 7th Position BA 9554 Book : Changing Positions BA 9555 Book 4: Exercises in Double Stops and Harmonics The pivotal work of a leading violin pedagogue The most frequently used system of practising scales and broken chords worldwide to this day For intermediate and advanced violinists Lifelong study material even for professionals Changes of Position and Preparatory Scale Studies Op. 8 BA 9557 Exercises devoted to changes of position and preparatory studies for scales over three octaves (in thirds, sixths, octaves and tenths) Moderate level of difficulty pozor kod v K.-černá ŠEVČÍK Škola smyčcové techniky School of Bowing Technique Schule der Bogentechnik op. 2 Svazek 1 / Volume 1 / Band 1 pozor kod v K.-černá ŠEVČÍK Škola smyčcové techniky School of Bowing Technique Schule der Bogentechnik op. 2 Svazek 2 / Volume 2 / Band 2 ŠEVČÍK Škola smyčcové techniky School of Bowing Technique Schule der Bogentechnik op. 2 Svazek / Volume / Band ŠEVČÍK Průprava k trylku a výcvik prstového úhozu Preparation for Trill Exercises and the Development of Finger-Stopping Triller-Vorstudien und Ausbildung des Finger-Anschlages op. 7 Bärenreiter Bärenreiter Bärenreiter Bärenreiter School of Bowing Technique Op. 2 BA 9591 Book 1: Exercises for the Right Arm BA 9592 Book 2: Exercises for the Wrist I BA 959 Book : Exercises for the Wrist II An exceptional work of educational violin literature for the right hand The famous four thousand variations of systematically ordered bowing exercises Divided into three sections, this new edition combines the original six volumes in groups of two Increasing order of difficulty: easy moderate advanced Preparation for Trill Exercises and the Development of Finger- Stopping Op. 7 BA 9556 To appear in October 2015 Exercises dealing with the position of the fingers, their placement on the strings, practising finger-stopping and shifting along the fingerboard in the basic positions Moderate advanced level of difficulty 16
KLAVÍR The complete works of Otakar Ševčík (1852 194), the legend of the famous Czech violin school, covers every area of violin technique, from the most elementary level and special exercises concerning individual technical problems right through to analytical studies of the standard concertos. Standard works that generations of violinists have 6 28 grown up with & œ 2 Open to everyone irrespective of their needs, abilities, or level of maturity 4 1 2 0 0 1 2 1 2 œ #œ #œ œ œ œ œ œ œ œ œ œ œ œ # œ 4 1. POLOHA 1 œ 0 œ œ 4 œ ST POSITION 1. LAGE PRSTOVÁ CVIČENÍ FINGER EXERCISES FINGERÜBUNGEN NA JEDNÉ STRUNĚ ON ONE STRING AUF EINER SAITE Každý takt se opakuje několikrát, Play 0 each model repeatedly, 0 2 Jeder Takt wird einige Male wiederholt, zvolna i rychle, vázaně 4 i 1odděleně. 4 both 1 slowly and 1quickly, legato and détaché. langsam und schnell, legato und détaché. Even after 10 years it still numbers among the most important and effective teaching methods # œ œ 4 œ œ œ4 œ œ œ 4 œ 1 œ œ 4 œ œ 4 œ # œ# œ œ 4 œ œ œ œ 0 2 1 4 2 1 Methodical commentaries 1 1 4 4 1 2 1 (Cz/Eng/Ger) by the editor Jaroslav Foltýn with & # œ œ œ œ # using authentic sources 0 1 1 4 1 4 1 œ œ #œ œ œ#œ œ œ œ 4 0 œ œ œ œ 0 œ# œ 4 œ œ 4 # œ œ 4 Půltón 1. a 2. prstem. Semitone with 1st and 2nd Þnger. Halbton zwischen dem 1. und œ dem 2. Finger. & c œ 0 œ œ œ œ œ œ œ.. œ 0 œ œ œ - - - - - - - - - - œ œ œ œ - - œ œ œ œ - - œ œ œ œ - -. 0 0 1 4 4 1 4 2 & c œ 2 2 Our new edition is based essentially 4 œ œ 2 œ. œ œ œ œ œ œ œ 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ on the original print, issued in the # early 20th century, and on sources # 2 œ 0 4 2 #œ 4 1 1 4 4 4 4 2 4 1 0 0 1 2 2 *) 1 2 from Ševčík's posthumous papers. # œ 4 1 4 0 œ œ 0 4 1 4 œ œ #œ #œ œ œ œ œ œ œ œ œ œ #œ œ# œ 4 œ 2 œ 0 & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 0 1 1 A valuable addition 4 1 & œ œ œ œ œ œ œ œ œ œ œ œ œ to this edition 2 2 œ 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ are methodical commentaries 4 by the editor, which provide profound insight into the practice # # 4 0 # 4 0 0 1 2 4 1 1 4 2 1 0 0 & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # œ œ œ œ œ œ œ œ #œ œ of individual exercises. In contrast 0 œ œ œ #œ# œ œ œ œ œ œ œ œ œ #œ œ # œ 4 œ 2 œ 0 œ &4 œ 0 œ œ œ œ œ œ 4 œ. to the laconic 0 Ševčík, Jaroslav Foltýn 4 4 1 1 - - 4 1 - - 2 offers a means of facilitating the 4-2 - - - œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ - - - - 1 2 1 2 1 2 understanding and analysis of # 1 exercises for both students and & # 4 4 4 œ 0 4 0 0 1 2 4 1 & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 4 # teachers. #œ œ c #œ œ œ œ 0 œ 1 He 4 draws œ #œ #œ œ œ œ œ 0 œ œ 0 # œ 4 # œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ not 1only from 4 1 his own 2 extensive experience as a professor & œ œ œ œ œ 4 œ œ œ œ œ œ œ œ at the Prague Conservatoire, # 4 but also from the authentic # œ œ œ œ œ œ œ œ 4 0 œ œ œ 0 œ œ1 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2 4 4 2 1 œ4 # recommendations and teaching #œ instructions of the author himself, 4 1 œ œ #œ #œ œ œœ œ 2 œ 0 # œ 4 œ # œ œ œ 4 œ œ4 œ # œ œ 4 # œ œ œ œ 4 œ 0 4 œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. #œ œ 0 2 2 0 1 4 1 0 1 2 0 1 2 which are recorded in the as-yet & 2 2 œ œ œ œ œ œ œ œ œ œ œ œ & & etc. œ œ bœ œ œ bœ œ œ bœ œ œœ œ #œ œ œ # œ œ œ œ œ œ œ œ Totéž na struně D na struně G na struně E Likewise on the D string G string E string Dasselbe auf der D-Saite G-Saite E-Saite 0 1 2 etc. unpublished manuscript of Viktor etc. Nopp, Ševčík's personal pupil and tříbení hmatových a zvukových assistant. 22 *) Prsty zůstanou ležet na struně. *) Hold the Þngers down on the string. *) Die Finger auf der Saite liegen lassen. BA 9552 2014 by Bärenreiter Praha možností. Začněte nejprve přípravnou BROKEN pohybovou CHORDS Example analýzou, from Opus VERSCHIEDENE tak 1jak ji Ševčík AR sm ne BA 9552 2014 by Bärenreiter Praha RŮZNÉ ROZLOŽENÉ VARIOUS AKORDY doporučoval svým žákům (rukopis Viktora Noppa): AKKORDE že 2 4 1 & œ œ œ b œ œ b 2 œ œ œ - z œ4 zp & œbœ œ œ 4 œ 2 œ œ n 0 œ œ4 œ œ 4 œ œ œ œ œ œ œ 4 œ 0 œ 4 4 œ œ hr œ œ œ œ0 bœ œ œ œ bœ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ œ 0 œ œ œ œ *)- - - - - - - - - - - - 1 & bœ œ œ œ œ 2 œ œ 0 bœ œ œ bœ 4 œ 2 œ œ œ œ œ4 & & œ œbœ œ œ bœ œ 4 œ 4 œ œ œ œ œ #œ #œnœ 0 œ# œ #œnœ œ 4 œ œ œ œ œ 0 4 Cvičení 2 můžeme nejprve œrozložit œ œ œ œbœ œ œ 0 œbœ œ 4 œ œ podle uvedeného příkladu; cílem je dosažení optimální polohy prstů & 2 2 2 1 2 4 1 4 2 1 2 174 k zajištění intonační a zvukové čistoty. 0 œ œ 0 bœ œ œ œ œ nœ 4 0 œ œ œ œ œ œ œ 4 œ œ œ œ œ bœ œ œ œ œ nœœ 1 Ševčík's model Preparatory movement analysis (editor's recommendation)
VIOLIN Loudová Ivana (*1941) 18 Canto solitario for violin solo Prague Spring IMC Commission (200) H 7859 2 Violins Solo (with accompaniment) Educational Works Micka Josef (190 199) Elementary Studies for violin with the 2nd violin accompaniment Arr. by J. Micka H 5450 score Repertoire Works Dvořák Antonín (1841 1904) Humoresque in G-flat maj Op. 101 No. 7 for two violins Arr. by J. Žemla H 1591-0 parts Feld Jindřich (1925 2007) Sonatina for Two Violins H 1927 parts Kramář-Krommer František Vincenc (1759 181) Six Duettini for soprano and alto recorders / 2 violins / 2 clarinets Arr. by L. Daniel H 5862 score with 1 part (alto recorder) Suk Josef (1874 195) Melody for two violins Ed. Z. Nouza H 7951 score with parts Teml Jiří (*195) 6 Violin Duets Rev. by E. Bublová H 7074 parts Tůma František Ignác Antonín (1704 1774) Composizioni strumentali Sonatas / Partitas / Sinfonias for two violins and basso continuo Ed. V. Bělský MAB I/69 H 476 score Violin and Piano Pieces for Children and Youth Dvořák Antonín (1841 1904) Humoresque in G-flat maj Op. 101 No. 7 Rev. by L. Láska, A. Pokorný H 1592 score with part Largo from Symphony No. 9 in E min From the New World Op. 95 Arr. by A. Pokorný in an easy style H 1811 score with part Slavonic Dances Op. 46 Nos. 1 4 Arr. by A. Pokorný H 25 score with part Two Waltzes Op. 54 Nos. 1, 4 for violin / viola and piano Arr. by J. Kocian, viola part rev. by K. Moravec H 1890 score (violin version) with viola part Eben Petr (1929 2007) Sonatina semplice for violin / flute and piano Rev. by B. Purger, V. Žilka H 2414 score with parts Martinů Bohuslav (1890 1959) Intermezzo H. 261 4 compositions for violin with piano accompaniment Rev. by V. Nopp, K. Šolc H 5259 score with part Sonatina H. 262 Rev. by V. Nopp H 2172 score with part Suk Josef (1874 195) Compositions for Violin and Piano Arr. by J. Suk, J. Kocian in an easy style H 782 score with part Melody (Melodie), Bagatelle (Bagatela), Lullaby (Ukolébavka), Evening Mood (Večerní nálada), Village Serenade (Vesnická serenáda), Song of Love (Píseň lásky Repertoire Works Benda František (1709 1786) Quatro sonate in A maj, in A min, in G maj, in A maj Eds. J. Štědroň, B. Štědroň MAB I/57 H 578 score with part Dusík Jan Ladislav (1760 1812) Sonatas Op. 69 Nos. 1, 2 Eds. J. Štědroň, B. Štědroň MAB I/41 H 2704 score with part Dvořák Antonín (1841 1904) Capriccio B 81 Concert Rondo Eds. J. Burghauser, A. Čubr ADCE IV/1 H 554 score with part Mazurek Op. 49 Rev. by J. Hanuš, K. Šolc ADCE IV/1 H 1550 score with part
VIOLIN Dvořák Antonín (1841 1904) NEW 2015 Romance in F min Op. 11 Urtext / Ed. J. Hájek BA 9571 score with part (replaces H 1511) To appear in July 2015 Originally written for violin and orchestra between 187 and 1877, Dvořák's Romance immediately followed his String Quartet in F minor (187) and draws on the theme from its slow movement. Our edition is the first to avail itself of the autograph of Dvořák's own version for violin and piano. Compared to the well-known piano reduction by Josef Zubatý, it differs from the orchestral version in several important respects and is also one bar shorter. Our new edition, containing the composer's more authentic version, can nevertheless also serve as a piano reduction to the orchestral version. First edition of the piano version based on Dvořák's autograph of the piano part Preface by D. R. Beveridge (Cz/Eng/Ger) Critical Commentary (Eng) by the editor NEW 2014 Romantic Pieces (Romantické kusy) Op. 75 Eds. A. Pokorný, K. Šolc With a new preface by D. R. Beveridge and a revision of the violin part (fingering) by J. Micka BA 9576 score with part (replaces H 190) Sonata in F maj Op. 57 Eds. A. Pokorný, K. Šolc Violin part rev. by S. Novák ADCE IV/1 H 2178 score with part Sonatina in G maj Op. 100 Ed. A. Čubr Violin part rev. by J. Feld ADCE IV/1 H 164 score with part Fibich Zdeněk (1850 1900) Idyll (Selanka) Op. 16 for clarinet / violin and piano Violin transcription by the composer H 754 score with parts Sonatina Op. 27 Violin part rev. by V. Snítil H 1442 score with part Fišer Luboš (195 1999) Hands (Ruce) Sonata for Violin and Piano Violin part rev. by I. Štraus H 884 score with part Hanuš Jan (1915 2004) Suite to the Paintings of Mánes (Suita podle Mánesových obrazů) Op. 22 Rev. by S. Šorm H 465 score with part Janáček Leoš (1854 1928) A Blown-Away Leaf (Lístek odvanutý) from the piano cycle On an Overgrown Path Arr. by J. Štědroň H 204 score with part Dumka Revised version based on composer's autograph of the violin part Ed. A. Němcová H 774 score with part 19