Ji!í Kade!ábek From an unshot movie. for cimbalom and piano 2008

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Peter Malý
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1 ií Kadeábek From an unshot movie or cimbalom and iano 2008

3 Onen nenato"en# ilm má název Berani a autorem nám$tu i scénáe e m% ítel an Míka ml, zárove otenciální re'isér tohoto snímku V roce 2006 sem slo'il melodii, insirovanou rostou, melancholickou a astorální náladou scénáe, která m$la slou'it ako ústední hudební téma ilmu Nyní se tato melodie stala v#chodiskem ro mou skladbu Tóny melodie nerve vytváeí harmonickou lochu, kterou v'dy ve druhém nástroi naru(uí cizí, náhodné tóny a r%zné zvuky, rodukované hrou na korus nebo struny V hluboké oloze se ak stídav$ v obou nástroích obevue charakteristické stunicové stouání basu z dorovodu melodie To vyústí v melodii samotnou, oro(t$nou od %vodní rytmizace a bohat(ího dorovodu Záv$r do ur"ité míry o$t vyu'ívá ostuu z úvodu skladby The unshot movie is titled Berani and its author as well as an author o the scrit is my riend an Míka unior, also otential director o that movie In 2006 I comosed a melody, insired by the scrit's modest, melancholy and astoral mood, which was to serve as a main musical theme o the movie That melody has ust become a starting oint or my iece First, the melody's tones create a harmonic surace, disturbed by another, random tones and various noises always in the other instrument, that are roduced by laying the instrument's body or strings Then, in a low register o each o the instrument in turn, a scale rising aears, tyical o the bass in the melody's accomaniment This ends in the melody itsel, ree o its original rhythm as well as a richer accomaniment The end o the iece in a measure reuses the method o the iece's beginning Duration ca 7 ' 2nd rize International balom Festival Cometition 2008 htt://wwwirikaderabekcom

nástroi naru(uí cizí, náhodné tóny a r%zné zvuky, rodukované hrou na korus nebo struny V hluboké oloze se ak stídav$ v obou nástroích obevue charakteristické stunicové stouání basu z dorovodu melodie

Symbols: hard stick(s) taing the body o the instrument with the alm(s) tuning the string medium stick(s) taing the body o the instrument with inger(s) rubbing

ingernail(s) in the middle o the string closing the keyboard cover throwing a ing ong ball on the strings ball(s) o the inger(s) hold the string(s) hand(s) at

5 Symbols: hard stick(s) taing the body o the instrument with the alm(s) tuning the string medium stick(s) taing the body o the instrument with inger(s) rubbing the string sot stick(s) taing the body o the instrument with knuckle(s) the body o the instrument brush(es) ingernail(s) taing the body o the instrument with ingernail(s) in the middle o the string closing the keyboard cover throwing a ing ong ball on the strings ball(s) o the inger(s) hold the string(s) hand(s) at the bridge(s) behind the bridge(s) utting the other stick on the same string synchronization change very gradually rom one sound or one way o laying to another

7 From an unshot movie ií Kadeábek, 2008 balom iano ) # q = 60 ca 16'' ~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ # # lay these tones randomly (do not reete the attern) # b b # # R b R ca 20'' # # ca 13'' ~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # - - b # b # # b ) # b b b # # These sections are to be layed rhythmically ad libitum according to the horizontal distance o the notes and within the alloted aroximate time The metronome mark as well as the individual notes' values are aroximate

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # - - b # b # # b ) # b b b # # These sections are to be layed rhythmically ad libitum

8 3 # semre ca 12'' ~~~~~~~~~~~~~~~~~~~~ 3 3 ca 13'' # n # 2 R 5 ca 13'' ca 13'' ƒ # n 3

9 3 7 RÔ ca 18'' U # # b ca 17'' b # b # b n sul C slow gliss lay ~~~~~~~~~~~~~~~~~~~~~ these tones randomly (do not reete the attern) b Ï 10 # sul E # ca 11'' # # b sul A b n # n b n n b slow gliss ca 9'' sul A sul C sul G sul F sul A ƒ 10 # # ~~~~~~~~~~~~~~~~~~~~~~~~ # ~~~~~~~~~~~~~~~ # semre

10 slow gliss slow gliss 12 sul C ca 9'' sul F slow gliss sul C sul G slow gliss slow gliss sul A 4 q»"º w with edal (ad lib) Ï sul D ç ç ç Ó # # 4 12 # Ï # # # # Ó with edal (ad lib) ç w Ï # w shout ad lib ç # # # # 21 # # # # # #

lib) Ï sul D ç ç ç Ó # # 4 12 # Ï # # # 21 4 7 4 4 # Ó with

11 5 31 # # # w Ó gliss Ó Ó $ # R F % cut ca 9'' gliss gliss gliss gliss ca 26'' Ó gliss gliss gliss gliss gliss gliss 31 # # ord ord # # F Ó $ r # % # # F ca 4'' ca 8'' # n # # ca 13'' b n # n b n # # n b # b n n # una corda b F # r

31 # # ord ord # # F Ó $ r # % # # F ca 4'' 38 38 ca 8'' #

12 ca 23'' b # b b # # b F # ca 7'' # # b # # ca 13'' F # 6 F F ord # ca 13'' # b R # # - - b # ḟ ress unhearably ress # b unhearably #Ṗ ord cut ca 10'' ca 10'' # RÔ ' #

13 7 ca 16'' 47 U ' ord b 47 # ' ossibile b b ' ossibile # '

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